Cliffs of Moher

The artist

Kevin QuinnContemporary artist — Irish roots, London life

The beginning

I have always loved to draw. From the earliest age, if I wasn't playing football, I was probably drawing something — a car, an animal, a house. I wouldn't stop until it was the best version I could make.

I carried that into school but had to drop art as a subject at 14. That was the end of it for many years — until one day I decided I wanted to start again. Since then I've always painted, mainly in oils and acrylics. More recently I've started learning pottery and sculpture, which has led me into 3D mixed media work.

I live in London. A lot of the places I paint are in Ireland — where my family are from and where I feel a deep personal connection. I paint the landscapes I know well, and the places I've visited and felt something in.

I paint things I find beauty in — and sometimes things I find difficult. Both matter equally.
Kevin Quinn as a child in Ireland

Kildare, early days

Kevin Quinn

London, now

Kevin Quinn with Millie

Millie, the studio assistant

Potatoes or Taytos

Potatoes or Tayto's — oil on canvas

A garden in Kildare,
a bag of crisps

Some memories never leave you. Taken from a real photograph — my grandfather in the garden by the vegetable patch, peeling potatoes. The field in front, not behind. I've painted myself into it, sitting beside him eating Tayto crisps — a play on the potato connection between the two of us. A moment I'm sure happened, many a time.

That sense of place — of belonging somewhere, of land and family and the particular quality of Irish light — runs through everything I paint, even when I'm standing in London.

See the painting
New work and works in progress posted regularly. Cavapoo <

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Pet portraits are something I find deeply satisfying — catching the character of an individual animal, not just the breed. If you'd like your own pet painted or sculpted, get in touch.

See the Natural World gallery
The other work

Not everything I paint is beautiful. Some of it asks harder questions.

The paintings in the Contemporary section explore ideas — social, political, emotional. Art has always been a way of processing emotion — the things that are hard to articulate, the feelings that sit beneath the surface. It reaches places that words don't always get to.

Whether it's a painting about the housing crisis, the environment, or the internal struggle between darkness and light — the canvas holds it.

See the Contemporary gallery

I'll be posting regularly on Instagram and Facebook going forward. If you'd like to get in touch — whether about a commission, a piece you've seen, or just to say hello — I'd love to hear from you.

Kevin Quinn signature